![]() After nearly half a century, Friedkin’s movie remains a perfectly crafted horror gem. But despite being spoofed in everything from Scary Movie 2 to Austin Powers to This is the End, and ripped off in every horror movie with “exorcism,” “possession,” or “Devil” in the title, The Exorcist doesn’t have this problem. Hollywood classics can sometimes fail to hold up after decades have chipped away at the attention spans of audiences, especially when a given movie has inspired a slew of parodies and rip-offs. ![]() Of course, after The Exorcist became a box office sensation, demonic possession was quickly turned into a horror subgenre of its own. The Devil had never been depicted in such a hauntingly realistic way before. Some viewers suffered serious psychological consequences after watching it. In 1973, audiences hadn’t seen anything like The Exorcist. Does The Exorcist Hold Up By Today’s Standards? The Exorcist was a bona fide blockbuster years before Jaws and Star Wars would turn high-concept genre movies into Hollywood’s most bankable cinematic currency. ![]() Very few movies have caused this kind of phenomenon. RELATED: How The Exorcist Changed The Horror Genre Moviegoers fainted in the middle of screenings, some theaters reportedly issued “ Exorcist barf bags” to contain viewers’ inevitable nausea, and some even sold tickets to watch the audience watch The Exorcist at sold-out shows. With a worldwide gross of over $400 million, it became the most successful movie in Warner Bros.’ history and by far the highest-grossing horror film of all time (a record it held until the release of It in 2017). On its initial release in 1973, The Exorcist was a cultural landmark. Arguably no movie is more frequently praised as the most terrifying horror film ever made. ![]() But the groundbreaking masterpiece that still levitates above all of them is William Friedkin’s The Exorcist. I give it 2/10 and I think that may be slightly generous.From Tobe Hooper’s The Texas Chain Saw Massacre to John Carpenter’s Halloween to Ridley Scott’s Alien, there are a number of iconic titles that pop up whenever horror movie buffs debate the genre’s greatest entries. In the end I found it a little insulting to the 'Wrong Turn' franchise. Overall this movie is very poor and most importantly not scary in the slightest. But undoubtedly the worst element of this movie is the script which could have been written by a couple of teenagers, the guards and cops have clichéd dialogue and the other actors have such a poor script to work with you almost begin to feel sorry for them. The special effects are beyond cheap and they look like something from the 70s or 80s. The casting of British actors in American parts didn't help the film either with most of the casts accents slipping constantly, Tamer Hassan is particularly bad in his role and often reveals his strong London accent. I understand that this was a low budget horror movie but it could have been done so much better. However, it doesn't work and these are the reasons why the terrible casting, the laughable special effects and the dire script. Initially, I thought the plot was fairly well thought out and had the potential to work quite well. Predictably the bus is attacked by Three Finger, causing the bus to crash in the woods and the struggle for power and survival begins. Meanwhile, a group of dangerous criminals are transported from the West Virginia Grafton Penitentiary in a custody bus escorted by three security guards through the backwoods. Only the teenager Alex (Janet Montgomery) succeeds in escaping running through the woods. The plot consists of this four college kids are out rafting in the Bluefish River area, however their fun is abruptly ended when they are attacked by the mutant cannibal hillbilly Three Finger (Borislav Iliev). As a fan of the first two 'Wrong Turn' films, I was expecting this to be a good but not great film with enough gore/horror/comedy to keep me entertained for 90 minutes.
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